![]() Sarah Fine's slaughterhouse-set Phantom of the Opera retelling is vivid, grisly, and beautiful. Will she determine whom to trust before the factory explodes, taking her down with it?įine creates a memorable atmosphere of desperation, deftly weaving together numerous subplots that intersect in a grisly and satisfying climax. As deadly accidents fuel tensions within the factory, Wen is torn between her growing feelings for Melik, who is enraged at the sadistic factory bosses and the prejudice faced by his people at the hand of Wen’s, and her need to appease the ghost, who is determined to protect her against any threat-real or imagined. At the same time, she is lured by the mystery of the ghost. ![]() Guilt-ridden, Wen befriends the Noor, including the outspoken leader, a young man named Melik. And after one of the Noor humiliates Wen, the ghost grants an impulsive wish of hers-brutally. Wen often hears the whisper of a ghost in the slaughterhouse, a ghost who grants wishes to those who need them most. Sixteen-year-old Wen assists her father in his medical clinic, housed in a slaughterhouse staffed by the Noor, men hired as cheap factory labor. ![]() A “grisly and satisfying” tale ( Publishers Weekly) inspired by The Phantom of the Opera. ![]() This love story for the ages, set in a reimagined industrial Asia, is a little dark, a bit breathless, and completely compelling. ![]()
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![]() “Good and Mad” was composed in a matter of months, with incandescent urgency. In the early months after the 2016 election, Traister resolved to write about the explosion of women’s anger and activism, tracing it over a few years - until she recognized a need to capture this maybe-movement in something like real time, to ensure that none of its complicated fury would be lost to tepid retrospective accounts. ![]() To enter the splendid core of ire and intelligence coursing through Rebecca Traister’s third book, “Good and Mad: The Revolutionary Power of Women’s Anger,” is to be sustained by its heat, invigorated, galvanized. ![]() ![]() ![]() ![]() For those who do wish to experience the entire Riyria saga, two reading options exist: Although part of a series, it's designed to thrill both new readers looking for fun, fast-paced fantasy and Riyria veterans wishing to reunite with old friends. ![]() Now they must venture into an ancient corner of the world to save a mysterious woman who knows more about Royce than is safe and cares less about herself than is sane.įrom the best-selling author of The Riyria Revelations comes the third installment of The Riyria Chronicles. Things have gone well enough until they're asked to help prevent a murder. Three years have passed since the war-weary mercenary Hadrian and the cynical ex-assassin Royce joined forces to start life as rogues-for-hire. When the last member of the oldest noble family in Avryn is targeted for assassination, Riyria is hired to foil the plot. ![]() ![]() ![]() But as his friendship with Diane deepens into infatuation and then a romance that scandalizes the Court, the Prince begins to discover hope for a future with Diane. Neglected by his father and disliked by his brothers, Prince Henri expects little from his life. As Anne calls on her most venomous tricks to drive Diane away, Diane finds an ally in the one member of Court with no allegiance to the King’s mistress: his teenage second son, Henri. The Court is soon electrified by rumors of their confrontations. Now a widow, the elegant Diane is called back to Court, where the King’s obvious interest marks her as an enemy to the King’s favourite, Anne d’Heilly. ![]() The Court of François I is full of lust, intrigue, and bawdy bon temps-a different world from the quiet country life Diane de Poitiers led with her elderly husband. Amid the disapproving gossip of the Court, a royal romance defies all obstacles. ![]() ![]() ![]() Now we have The Sweetness of Water, the sweeping first novel by Nathan Harris, a 29-year-old based in Texas. ![]() The Good Lord Bird by James McBride followed an escaped slave in the years leading up to the war. Sebastian Barry’s Days Without End told of a gay couple fighting in first the Indian wars, then the civil war. Only recently have novelists sought to uncover stories that step outside this dominant narrative mode. ![]() The subgenre of historical fiction about the American civil war is generally a slightly macho, fusty one, with accuracy privileged over narrative, drawn-out battle scenes over emotional complexity, and a focus on the lives of red-blooded, white-skinned men (and the women who love them) drowning out the experience of others. T he civil war has a central place in American literary history, featuring in novels that achieved global success – think Cold Mountain and Gone With the Wind – and others that were hits in their native land but didn’t translate (Michael Shaara’s The Killer Angels, EL Doctorow’s The March and The Black Flower by Howard Bahr, to name just a few). ![]() ![]() Nonetheless, my focus is mostly on economic independence: how the Victorian woman (and, by association any woman) is as free as her ability to provide for herself and set the rules of the (economic) game. ![]() Is feminism in Goblin Market about sex? Is it about control? It’s about these and more. However, I still think there are intriguing viewpoints in it, with important repercussions for our times, too. After all, this post is based on my BA thesis and therefore isn’t exceptionally deep or analytic to begin with. Christina Rossetti’s poem is rich in symbolism, and an interpretation related to feminism and economics couldn’t be absent.Īcademic criticism has explored feminism in Goblin Market – a lot – so I’m certainly not breaking any new ground here. So, I decided to write a brief, accessible post on feminism in Goblin Market. I’ve been going through a… Goblin Market phase recently, as you might recall. ![]() ![]() Only the Mother Superior (Sister Angela), Abbot Bernard, and Brother Salvatore (Brother Knuckles) are aware of his special gift. Odd wants to look away, but senses that should they ever find out he can see them, his life would become much more difficult. Seemingly half man/half wolf, it glides without even rippling the grass it passes over. ![]() Something only he and Odd can see, the other worldly, inky and sinuous shape oozes across the lawn in the shadows. He watches to see what has the dog's attention. Odd looks outside the monastery's guest house window and sees his ghost dog Boo acting as though something terrible is in the shadows. He is drawn to situations, and running entirely on intuition and faith that his life has purpose, he follows the pull. After a tragic affair in his hometown of Pico Mundo, Odd retreats to the monastery. ![]() Some want comfort, some forgiveness and others have motives he is unable to grasp. Odd has a rather unique gift-he sees dead people-those who are unable to cross over are drawn to him in hopes that he can fix what holds them here. ![]() Brother Odd by Dean Koontz is based on the character Odd Thomas and his attempt to find peace in the Californian mountain monastery of St. ![]() ![]() ![]() ![]() On the paid media side, look for firms comfortable working with lower spend-they exist. Build up that base of reputable content and leverage it across your channels and ecosystem. Consumers and businesses still make buying decisions based on the reputation that’s advocated by credible third parties-media, podcasters, even influencers. Reallocate some paid advertising money to ‘earned media.’ĭouble down on your company’s earned media spend, using a small portion of what had been allocated to paid media. Are they perceived as essentials, justifiable indulgences, purchases that can be postponed or as unjustifiable expenditures? The answer should impact your spending allocation.ġ. Think about how consumers perceive your product/service offerings. Revisit your strategy, distribution and spending allocation in response to changes in product/service demand. Savvy marketers know there is an opportunity to gain market share when competitors make spending cuts. However, history tells us indiscriminate budget cuts are momentum busters. So, how will the bold proceed in this business environment? Economic headwinds and inflation are real and should not be ignored. And great leaders recognize not only the importance of momentum-in sports, military endeavors, business, etc.-but how much can be gained or lost when faced with adversity. ![]() Being bold during great times is often the cost of doing business, but it’s also the path to building momentum. ![]() ![]() Loot (Loot #1) by Jude Watson – eBook Detailsīefore you start Complete Loot (Loot #1) PDF EPUB by Jude Watson Download, you can read below technical ebook details: Watch out! There are wild kids on the loose and a crime spree coming. Just one good heist, and they’ll live the life of riches and freedom most kids only dream about. They know their father’s business inside and out, and they’re tired of being pushed around. March and Jules have no intention of staying put. No sooner than the two find each other, they’re picked up by the police and sent to the world’s worst orphanage. He’s talking about Jules, the twin sister March never knew he had. As sirens wail in the distance, Alfie manages to get out two last words to his young son, March: “Find jewels.” But March learns that his father is not talking about a stash of loot. It’s Alfie McQuinn, the notorious cat burglar, and he’s dying. ![]() ![]() On a foggy night in Amsterdam, a man falls from a rooftop to the wet pavement below. You can read this before Loot (Loot #1) PDF EPUB full Download at the bottom. Here is a quick description and cover image of book Loot (Loot #1) written by Jude Watson which was published in. ![]() ![]() Brief Summary of Book: Loot (Loot #1) by Jude Watson ![]() ![]() ![]() ![]() ![]() In 1974 he met the Argentine writer Carlos Sampayo and this fundamental event would mark the beginning of a long and fruitful collaboration. In 1972 he departed for Europe, living in London at first, then Barcelona, and finally settled root in Italy. He emerged as an independent artist in 1963 with his detective series "Precinct 56", inspired by Eugenio Zappietro’s texts for the magazine "Misterix" (in Italian it was published in "Sergente Kirk" magazine). Muñoz made his debut in the world of comics as assistant to Francisco Solano López, illustrating stories written by Héctor Oesterheld for the magazines "Hora Cero" and "Frontera". During this period he would also follow sculpture and painting courses in the studio of Humberto Cerantonio. Born in 1942 in Buenos Aires, Argentina, as a child Muñoz manifested a great passion for design, and a particular interest in the world of comics.Īt twelve he enrolled at the "Escuela Panamericana de Arte", where his teachers included Alberto Breccia and Hugo Pratt. ![]() |